 
       
      the Voices had become (very like ordinary
voices in perplexed times,) contradictory and
confused, so that now they said one thing,
 and now said another, and the Maid lost
credit every day. Charles marched on Paris,
which was opposed to him, and attacked the
 suburb of Saint Honoré. In this fight, being
again struck down into the ditch, she was
abandoned by the whole army. She lay
unaided among a heap of dead, and crawled out
how she could. Then, some of her believers
went over to an opposition Maid, Catherine
of La Rochelle, who said she was inspired to
 tell where there were treasures of buried
money—though she never did—and then Joan
 accidentally broke the old, old sword, and
others said that her power was broken with
it. Finally, at the siege of Compiègne, held
 by the Duke of Burgundy, where she did
valiant service, she was basely left alone in
a retreat, though facing about and fighting
to the last; and an archer pulled her off her
 horse.
O the uproar that was made, and the
thanksgivings that were sung, about the
capture of this one poor country-girl! O the
way in which she was demanded to be tried
 for sorcery and heresy, and anything else
you like, by the Inquisitor-General of France,
 and by this great man, and by that great
 man, until it is wearisome to think of! She
was bought at last by the Bishop of Beauvais
 for ten thousand francs, and was shut up in
her narrow prison: plain Joan of Arc again,
 and Maid of Orleans no more.
I should never have done if I were to tell
 you how they had Joan out to examine
her, and cross-examine her, and re-examine
her, and worry her into saying anything and
everything; and how all sorts of scholars and
 doctors bestowed their utmost tediousness
upon her. Sixteen times she was brought out
 and shut up again, and worried, and
 entrapped, and argued with, until she was
heart-sick of the dreary business. On the
last occasion of this kind she was brought
 into a burial-place at Rouen, dismally
 decorated with a scaffold, and a stake and
faggots, and the executioner, and a pulpit
 with a friar therein, and an awful sermon
 ready. It is very affecting to know that
even at that pass the poor girl honored the
mean vermin of a King, who had so used her
for his purposes and so abandoned her; and,
that while she had been regardless of
 reproaches heaped upon herself, she spoke out
 courageously for him.
It was natural in one so young, to hold to
life. To save her life, she signed a declaration
 prepared for her—signed it with a cross,
 for she couldn't write—that all her visions
and Voices had come from the Devil. Upon
 her recanting the past, and protesting that
she would never wear a man's dress in future,
 she was condemned to imprisonment for life,
 "on the bread of sorrow and the water of
affliction."
But, on the bread of sorrow and the water
of affliction, the visions and the Voices soon
returned. It was quite natural that they
should do so, for that kind of disease is much
aggravated by fasting, loneliness, and anxiety
 of mind. It was not only got out of Joan that
she considered herself inspired again, but, she
 was taken in a man's dress, which had been
left—to entrap her—in her prison, and which
she put on, in her solitude; perhaps, in
 remembrance of her past glories; perhaps, because
 the imaginary Voices told her. For this
relapse into the sorcery and heresy and
 anything else you like, she was sentenced to be
 burnt to death. And, in the market-place of
Rouen, in the hideous dress which the monks
had invented for such spectacles, with priests
 and bishops sitting in a gallery looking on,
though some had the Christian grace to go
away, unable to endure the infamous scene;
 this shrieking girl —last seen amidst the smoke
 and fire, holding a crucifix between her hands;
 last heard, calling upon Christ—was burnt to
 ashes. They threw her ashes in the river
 Seine; but, they will rise against her
 murderers on the last day.
From the moment of her capture, neither
the French King nor one single man in all
his court raised a finger to save her. It is
no defence of them that they may have never
 really believed in her, or that they may have
 won her victories by their skill and bravery.
The more they pretended to believe in her,
the more they had caused her to believe in
herself; and she had ever been true to them,
 ever brave, ever nobly devoted. But, it is no
wonder, that they, who were in all things false
 to themselves, false to one another, false to
 their country, false to Heaven, and false to
Earth, should be monsters of ingratitude and
treachery to a helpless peasant girl.
In the picturesque old town of Rouen, where
weeds and grass grow high on the cathedral
 towers, and venerable Norman streets are
still warm in the blessed sunlight though the
monkish fires that once gleamed horribly upon
 them have long grown cold, there is a statue
 of Joan of Arc, in the scene of her last
agony, the square to which she has given
its present name. I know some statues of
modern times—even in the World's metropolis,
 I think—which commemorate less
constancy, less earnestness, smaller claims
upon the world's attention, and much greater
 impostors.
Now Ready, Price 3s. 6d,
THE FIRST VOLUME OF
A CHILD'S HISTORY OF ENGLAND.
BY CHARLES DICKENS.
To be completed in three Volumes, of the same size and price.
Collected and revised from " Household Words,"
With a Table of Dates.
BRADBURY AND EVANS, 11, BOUVERIE STREET.
Dickens Journals Online 